Partitions Numériques de I See You pour Saxophone et Orgue

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I See You
Non classifié 759

Piano & claviers
Piano, Voix et Guitare 920
Piano seul 465
Instruments en Do 400
Piano, Voix 374
Piano Facile 185

Orgue 20
1 Piano, 4 mains 12
Piano grosses notes 8
Accordéon 3
2 Pianos, 4 mains 3
Piano Trio: piano, violon, violoncelle 2
Accompagnement Piano 2
2 Pianos, 8 mains 1
Piano (partie séparée) 1

+ 9 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 136
Guitare notes et tablatures 89
Guitare 41
Ukulele 21
Paroles et Accords 12

Basse electrique 8
2 Guitares (duo) 6
3 Guitares (trio) 5
4 Guitares (Quatuor) 3
Guitare (partie séparée) 3
Banjo 3
Mandoline 2
Piano, Guitare (duo) 1

+ 8 instrumentations

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Voix
Chorale SATB 225
Chorale 3 parties 84
Chorale 2 parties 40
Chorale SSAA 26
Chorale TTBB 25

Voix duo 14
Voix duo, Piano 13
Chorale 12
Voix haute 10
Chorale Unison 9
Voix seule 7
Voix Alto, Piano 6
Voix Soprano, Piano 3
Voix moyenne, Piano 2
Voix Tenor, Piano 2
Voix basse 1
Voix basse, Piano 1
Chorale SSAATB 1

+ 13 instrumentations

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Vents
Saxophone (partie séparée) 44
Flûte traversière et Piano 34
Clarinette et Piano 31
2 Flûtes traversières (duo) 30
Clarinette 26

Flûte, Hautbois, Clarinette, Basson 25
Flûte traversière 23
Hautbois (partie séparée) 22
Quatuor de Saxophones: 4 saxophones 20
Hautbois, Piano (duo) 20
Saxophone Alto 19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 18
Saxophone Alto et Piano 17
Quintette de Saxophone: 5 saxophones 16
Saxophone Soprano et Piano 16
Ensemble de Flûtes 15
Saxophone Tenor et Piano 14
Quatuor de Clarinettes: 4 clarinettes 14
Flûte et Guitare 14
Saxophone Baryton, Piano 13
Clarinette, Violon (duo) 11
2 Saxophones (duo) 11
2 Clarinettes (duo) 11
Clarinette (partie séparée) 9
3 Clarinettes (trio) 9
Flûte à bec Soprano 7
Ensemble de Clarinettes 7
Flûte à bec Tenor 6
Flûte, Clarinette (duo) 6
Flûte à bec Alto 5
Saxophone, Clarinette (duo) 5
Cor anglais, Piano 5
2 Hautbois (duo) 5
Clarinette, Guitare (duo) 5
2 Flûte à bec (duo) 5
Flûte, Violon 5
Quintette de Flûte : 5 flûtes 4
Clarinette, Trompette (duo) 4
Ensemble de saxophones 4
Flûte, Violoncelle, Piano (trio) 4
Quatuor de Flûtes : 4 flûtes 4
Flute (partie séparée) 2
Clarinette Basse, Piano 2
Flûte, Alto (duo) 2
Hautbois, Clarinette (duo) 2
Clarinette et Alto 2
Flûte, Trompette (duo) 2
Trio de Flûtes: 3 flûtes 2
Flûte à bec Soprano, Piano 2
Quatuor de Flûtes à bec 2
Flûte, Violon, Piano 2
2 Clarinettes, Piano 2
5 Flûtes à bec 2
Hautbois, Basson (duo) 1
Ensemble De Flûte à bec 1
Flûte, Hautbois, Clarinette (trio) 1
Hautbois, Clarinette, Basson (trio d'anches) 1
Saxophone Tenor 1
Flûte, Harpe et Violoncelle 1
Harmonica 1
Flûte et Trio à cordes 1
Hautbois 1
Hautbois, Guitare (duo) 1
Piccolo 1
2 Flûtes traversières, Piano 1
Flûte à bec Alto, Piano 1
Cor Anglais 1
Saxophone et Orgue 1

2 Hautbois, Piano 1
Flûte, Saxophone (duo) 1
Flûte à Bec 1

+ 66 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 30
Trombone et Piano 24
Quatuor de Cuivres : 2 trompettes, trombone, tuba 23
Trompette, Piano 21
Trombone 19

Trompette 18
Cor et Piano 16
Cor 15
Quatuor de cuivres: 4 trombones 14
Trompette (partie séparée) 12
Tuba 11
Quatuor de Cuivres: 2 trompettes, Cor, trombone 9
Trio de Cuivres 8
Tuba et Piano 8
Trombone (partie séparée) 7
Cor anglais, Piano 5
2 Trombones (duo) 5
2 Trompettes (duo) 5
Cor (partie séparée) 4
Ensemble de Trombones 4
Euphonium, Piano (duo) 3
Ensemble de Trompettes 3
Trompette, Trombone (duo) 3
Tuba (partie séparée) 2
2 Tubas (duo) 2
2 Euphoniums et 2 Tubas 2
2 Cors (duo) 2
Quatuor de Cuivres 2
Bass Clef Instruments 1
Trombone basse et Piano 1
Trompette, Saxophone (duo) 1
Euphonium 1
2 Cors, Piano 1
Cor Anglais 1

+ 29 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 124
Violon et Piano 37
Violon 34
2 Violons (duo) 26
Violoncelle, Piano 24

Harpe 21
Violoncelle (partie séparée) 20
Alto, Piano 18
Violon, Violoncelle (duo) 17
Quintette à cordes: 2 violons, alto, violoncelle, basse 15
Trio à Cordes: violon, alto, violoncelle 15
Alto seul 12
Alto (partie séparée) 10
Contre Basse 10
Trio à Cordes: 2 violons, violoncelle 9
Contrebasse, Piano (duo) 8
2 Altos (duo) 8
2 Violoncelles (duo) 8
Violoncelle 8
Violon (partie séparée) 6
Contrebasse (partie séparée) 5
Violon, Alto (duo) 5
2 Harpes (duo) 3
Harpe, Voix 3
Ensemble de Violons 3
Trio à cordes: 3 violins 3
2 Altos, Piano 2
Trio à Cordes: 3 violoncelles 2
4 Violoncelles 1
Ensemble d'Altos 1
Harpe, Flûte (duo) 1
Alto, Violoncelle (duo) 1
Violon, Tuba (duo) 1
Quatuor à cordes: 4 violons 1
Harpe, Violon (duo) 1

+ 30 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 67
Orchestre 41
Orchestre à Cordes 28
Ensemble de cuivres 25
Orchestre de chambre 24

Ensemble Jazz 21
Ensemble de Percussions 18
Fanfare 8
Jazz combo 6
Percussion (partie séparée) 6
Batterie 6
Cloches 4
Marimba 3
Batterie (partie séparée) 3
Big band 2
Percussion 2
Timbales 1
Xylophone, Piano 1
Vibraphone 1
Timbales (partie séparée) 1
Quintette à Vent 1

+ 16 instrumentations

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Formation musicale - Solfège 1

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I See You

Saxophone et Orgue

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1 partition trouvée

What Would Nina Simone Say? For Soprano Sax & Organ (9'50")

What Would Nina Simone Say? For Soprano Sax & Organ (9'50") #Saxophone et Orgue #AVANCÉ #Contemporain #Judith Cloud #What Would Nina Simone Say? Fo #Judith Cloud #SheetMusicPlus

Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages...(+)

Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages. Judith Cloud #6690537. Published by Judith Cloud (A0.981222). What Would Nina Simone Say? For Soprano Sax and Organ (9'50)Program NotesI became interested in Nina Simone in the spring of 2018. She was born Eunice Waymon in Tryon, North Carolina, my own hometown. I knew little about her while I was growing up. Later I heard she was an activist and the sentiment around town I observed was that there was far from a feeling of pride about who Nina Simone was. If that really was the case (and I have no proof of it) there was a dramatic change with the creation of The Nina Simone Project in 2006. I was still ignorant of this, having lived in Arizona for most of my adult life. But researching Simone led me to an immense feeling of pride for my hometown when I read about the support she had from the white community in the 1940’s. Without that encouragement and financial support, as well as artistic support from a local piano teacher, Muriel Mazzanovich, Mrs. Mazzy, as she was called and who Nina treasured and respected all of her life, Nina Simone would never have reached the world with her unique prodigious musical talent. She was a diva by all counts and her original compositions reflect a balance of words with music that is far superior to what her contemporaries were creating. A bronze sculpture of her by Zenos Frudakis now stands on Main Street in Tryon. How can you be an artist and not reflect the times? Simone asked in an interview. That to me is the definition of an artist. The feminist writer Germaine Greer declared Every generation has to discover Nina Simone. She is evidence that female genius is real. What would Nina Simone say today? I think she’d be mad as hell and screaming about revolution, probably still advocating for the use of violence. I’ve used some of Simone’s energetic and compelling motives in this composition. It is my own tribute to her genius and to how she gave to the world so much even though she was plagued with agonizing physical and mental ailments. That suffering seems to me an undercurrent in each video I have watched of her concerts. What I would give to have been in her presence for one of those concerts! She embodied music as an art form, revering her musical teachers, Bach, especially. That she never achieved her main goal of becoming the first female African-American classical pianist of world stature is perhaps not so sad when you think of how many more people she moved with her talent expressed in jazz and folk popular idioms. But she was prone to violence and many people, even those closest to her, were often fearful of her rage. She was misunderstood for so many years and it was only in the last two decades of her life that her moods were somewhat controlled through use of prescription drugs. The musical life that began for Eunice Waymon when she was seven years old playing the piano and organ for services at St. Luke’s C.M.E. Church (where her mother was the preacher) in Tryon, N.C. traversed many cities in many countries. She died at the age of 70 in 2003 in Carry-le-Rouet, France.

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